Artist Statement

My performance, installation, audio, and film practice is grounded in illusion-based work. Through a research-driven approach, I work to uncover the selective nature of attention and the limits of perception to reveal multiple realities, hidden worlds, and the nature of belief.

Creating interactive, surreal performance vignettes, my pieces invite audiences to co-author live thought experiments. Drawing on nearly three decades of specialized training in parlor and sleight-of-hand magic, I merge illusion with multidisciplinary performance to craft experiences rooted in psychological nuance, sensory misdirection, and visual transformation.

My work engages phenomenological philosophy and cognitive science, investigating impossible objects, unseen communication, invisible worlds, scent, and the ways illusions shape reality. Ultimately, my practice seeks to illuminate the astonishing within the everyday and heighten awareness of the dynamic process of perception itself.

In Plain Listen

March 19, 2026
5:30 PM & 8:00 PM
Fishman Studio, Granoff Center for the Creative Arts

This work explores secrets that are hidden in plain sight, or in this case, in plain listen. 

Join us for this two-part event, guided by artist, magician and researcher Jeanette Andrews, that depicts the secret of one of the oldest pieces of magic in history, purely in music form and performed in tandem with the original magic effect.

By creating a musical notation key to transform traditional Morse code beep sequences into a musical notation system, Andrews translated the text that describes the secret of a magic trick – one of the first to have been published in the West – into this system and then created a lush score for solo cello. What you will see is a performance which encodes the ancient secret in the form of music in tandem with a performance of the piece of magic that manifests that secret information in visual form. This is set amidst an installation of the very rare (as most were burned in the Inquisition), original 16th-century manuscript, on loan from the H. Adrian Smith Collection of Conjuring and Magicana at Brown’s John Hay Library. The performance will be followed by dialogue on the cultural evolution of magic with an interlocutor to be announced. 

Featured Cellists: Isabel Castellvi, Anna Kerber, and Jake Sokolov-Gonzalez.

“In Plain Listen” was originally commissioned by and funded by the Cynthia Woods Mitchell Center for the Arts at the University of Houston.

Limited Tickets TBA

A multi-day symposium interrogating the “logic of illogic” including scholars and artists from Brown University and beyond, plus an in-development work that will have its world premiere at Brown University.

Jeanette Andrews is a New York-based artist working at the intersections of illusion, performance, installation, film, and audio. Her studio practice bridges the worlds of illusion, installation, and conceptual art, creating interactive vignettes and surreal, multisensory experiences that investigate perception, cognition, and the seemingly impossible. Her background as a lifelong magician affords her a unique set of skills to craft experiences exploring anomalies in perception;She invites audiences to co-create her illusory performances which function as live thought experiments;She has presented numerous commissioned works with the Museum of Contemporary Art Chicago, as well as for the Quebec City Biennial and Boca Raton Museum of Art, presented talks for Cooper Hewitt, Chicago Ideas Week, The British Society of Aesthetics, and universities, including Yale, Columbia, Princeton and Harvard.

She has held residencies with the Institute for Art and Olfaction and the Cynthia Woods Mitchell Center for the Arts at the University of Houston, and is a former National Arts Club Artist Fellow and Affiliate of metaLAB at Harvard. She was a 2024-2025 Visiting Artist for the Center for Art, Science and Technology at MIT and A Prizma Arts and Research Residency artist for Brown Arts Institute at Brown University. Her work has been featured in the Boston Globe, PBS, Chicago Tribune and New York Times.

The Prizma Arts and Research Residency program brings your favorite artists' favorite artists to Brown’s campus: Artists whose influence far exceeds their visibility, are the secret engines of contemporary practice and whose work sparks the imagination of entire fields.