Between Past and Future
October 27 – December 12, 2025
EXHIBITION
A solo exhibition by Eiden Spilker '24 made with wood from a historic Elm that once lived on the Main Green.
Between Past and Future
October 27 – December 12, 2025
EXHIBITION
A solo exhibition by Eiden Spilker '24 made with wood from a historic Elm that once lived on the Main Green.
About the Exhibition

Between Past and Future
October 27 – December 12, 2025
Fribourg Family Atrium, Granoff Center for the Creative Arts
154 Angell Street, Providence, RI
Opening reception: October 30, 2025 | 5:30 PM
Artist Statement
‘Between Past and Future’ began with a historic elm tree cut down on Brown’s main green. Initially an exploration of what it means to consider this tree as a ‘historic’ object, the body of work quickly expanded into a broader examination of the shape and narrative of history that the tree fit into. What followed was a renegotiation with the direction of history, its meaning, and the specific contours of the past that come to explain the present and define the possibilities of the future.
Open Call for Proposals to Create with the American Elm
Between Past and Future artist Eiden Spilker invites artists to submit proposals to create works using lumber from the American Elm. Ten artists will be selected based on an initial concept proposal of how they would use this material to create a work for a Spring 2026 exhibition, Point of Entry, which will be on view from April 9–May 27, 2026 in the Lindemann Performing Arts Center.
Exhibition In the News
Art exhibitions at Brown University honor and interpret historic campus elm tree
Eiden Spilker ’24 gives Main Green elm tree a second life in new exhibit
The Elm Tree in the News
Preserving historic trees amid disease, climate shifts — and saying goodbye to a treasured American elm
Gone but not forgotten: Beloved elm tree from Brown sees new life in the form of handcrafted art
About the Artist
Eiden Spilker (b. 1996) is a Providence, RI-based artist working in wood and found materials. He holds BAs in Architecture and Visual Arts and is the 'Maker in Residence' at the Brown Design Workshop where he strives to strengthen collective craft knowledge. His work explores the tension, and often disconnect, between material record and meaning. Using primarily salvaged and reclaimed wood, he investigates the historic testimony of objects, asking how material memory can inform the way we construct narratives of the past.
“ My worthy friend, gray are all theories, And green alone Life's golden tree ”